- 30/10/2016 - section 10 Q/A
- 11/11/2016 - section 8 pricelist
- 18/11/2016 - section 5 tools
A great collective energy binds experienced manufacturers, apprentices and people passionate about sound sculptures. Each in their own way participate in building a community.
The most valuable advise we received from one of our elders was "You have to work in a team !" and this energy has helped our Shellopan project to persist since 2010.
Shellopan is a cooperative enterprise, and is actively exploring an alternative way of exchange than what we have grown used to in our market economies. Following the message of our elders, we decided to open our workshop and share our means of production* in the manner of a fablab dedicated to the sound sculpture.
(* here is one of our biggest means of production : our tool to make deep drawn handpan shells)
1) our business approach
In trade, the secret of a recipe or a process maintain the scarcity and increase profit. The recipe -when it is not secret- is a patent or a license which also participates in making profit. In this way, knowledge becomes a market value.
Our work has been possible thanks to the work of our precursors and information they have published or communicated with the desire to see the shared knowledge becoming more important. Our approach is to honor them and try to in turn share our knowledge and experience. To further collective knowledge, it's important that the people that use what we provide adopt the same sharing approach.
We therefore choose to focus our "fablab" activities more on those looking to get involved that have a sharing approach in balance with their business. If services and prices are listed here, we have no will for commercial development or inducement to consumption. The services are offered through a voluntary process of sharing and they will be accessible only after prior agreement and/or by appointment. As should be for everyone on this earth, we have the freedom to choose when and to whom we devote our energy.
Even if we do not find it appropriate, we respect the traditional forms of business and we hope to receive the same respect when we choose not to participate.
2) metallurgical concepts and the importance of the scientific approach
The start of a craft project related to the physical characteristics of metal may be accompanied by a study of these characteristics. We do not have the competence to teach about these but if you feel limited to describe metal with only "hard" or "soft", we invite you to learn about the following concepts:
- Chemical composition
- Yield stress : YS
- Young's modulus and elasticity
- Ultimate tensile stress : UTS
- Fracture elongation : e%
- strain hardening coefficient : n
- anisotropy coefficient : r
- bake hardening and work hardening
- annealing and tempering
- nitriding technology
- compressive stress
- necking phenomenon
- aging phenomenom
- differences between drawing steel, solid solution steel, bake hardening steel, high strength IF steels
Being able to explain the differences in stiffness, strength and hardness is the sign of a good understanding :)
The challenges in our research would be to understand the impact of all these parameters on :
- the timbre of a note and of an instrument as a whole
- each person's style of preparing notes and of tuning
- the durability of an instrument
3) nitriding and patent information
Choosing a deepdraw steel with low carbon content (eg DC04) gives need to a steel hardening treatment for the steel sheet.
One possible treatment is nitriding. In the year 2000 the company PANArt Hangbau AG published an article about applying these principles to a metal musical instrument (Conference on New Developments of the Steelpan – Paris – 20/05/2000). More recently, patents have been filed by the company regarding the manufacture of musical instruments made with nitrided steel sheet. We recommend everyone to study the content of the European patent EP2443625 and its impact on their own individual project.
There is a possibility of using the techniques covered by the patent under license. Contact the company PANArt Hangbau AG if you want to develop a business using their license.
4) characteristics of the Shellopan deep drawn Handpan shells
Different methods of forming shells exist (in increasing order of personal preference, benefits and defects in brackets):
- manual hammering pneumatic sand rammer (+ cheap / + can control the thickness with experience / - risk to health, dangerous for the muscles and joints)
- manual spinning or CNC (+ cheap / + ease of forming the port on the bottom shell / - problem of inconsistent thickness, sheet metal is refined further away from the center)
- hydroforming (+ easy choice of the depth of the shell - unable to control the thickness distribution, the final shell is thinner at the center up to 25%, we have eliminated this technique for this reason)
- spinning inside rings (see Pantheon Steel process, + possible control of the thickness according tooling / - need a thicker sheet initially as spinning will only refine the material / - marked grooves in the surface)
- Stamping / Deep drawing on hydraulic press (+ control the thickness of the sheet with the possibility of letting go material from the blank holder, - expensive tooling and need a huge press)
Shellopan shells are deep drawn under a 400Tons hydraulic press with a tool that we have co-built with a french industrial prototyping company.
size: external 550mm, internal 530mm, high 130mm - starting thickness 1mm
A very important feature is the distribution of thickness after stamping (see photo below).
Physical and chemical characteristics of our steel:
One of the challenges of our business is to try to understand the relationship between the composition of the steel and how we feel during tuning and timbre of the sound of the final instrument. Sharing our material allows us to advance in this knowledge a bit faster because we have the chance to regularly change Steel (although this requires us differtn updates in our processes, we consider that as very positive ).
Our current steel (batch 4):
Origin: french steel maker
Chemistry: 0.055% C / 0.179% Mn / 0.015% Si / 0.011% P / 0.012% S
Physical: Rp0.2 = 217 MPA / MPA Rm = 330 / A80 A = 39.9%
ps : coefficients of hardening and anisotropy remain secret for now;)
Information regarding the availability of the handpan shells : we are launching a production every time we find the steel of our choice, it can take several months. We always keep a stock for the fablab activity and a stock from each batch for search and development. These considerations are given priority over resale activity of our shells. We have no commercial development objective of this activity and packing shell to send them by carrier is not our passion. We have still a lot of fun to see the instruments made with our raw material by other tuners and to allow our research on the links between chemical / physical / tuning / sound, we favor the resale to the makers who mention the origin of their raw material.
Information about the "raw" steel: the steel that we use has a light corrosion protection applied by the steel manufacturer in the form of a thin layer of oil. Stamping work, laser cutting and the various manipulations needed systematically alter the quality of the surface and more or less visible traces of oxidation can form during transport and storage. Sanding the shells may be requested just before packaging / transportation but this will make them more sensitive to rust, this choice is advisable for those who provide the transport themselves and have a storage with humidity control. Whatever the visual condition of the shells, we recommend to always perform a brushing & degreasing of the shells just before having them nitrided.
Information about the nitrided products: to prevent scratches, stains or rust, shells were sanded and cleaned before nitriding. Despite this, irregular marks, stains or oxidized points can occur during the process of nitriding or transportation. A further cleaning step before the annealing treatment and protection against rust after heating should be applied. These final steps will determine the corrosion resistance and aesthetics of the final product. Shellopan will not be able to provide a guarantee on the result of the work done with the shells.
5) essential tools at every stage
While some expensive tools can be pooled, some become highly personal such as hammers. Everyone will have their own preferences - this article presents our approach to the subject.
- cleaning of shells: Scotch Brite with grain 180-1000 on edgegrinder, isopropyl alcohol or other degreaser
- nitriding: a rack to space the shells in the oven and avoid distortion
- stamping dimples: male/female press molds + press <20 tonnes. Here we share our tool to help you to calculate the notes and dimples size : shellopan-note-dimples-ratio.xlsx (right click and save as...)
- making bottom shells: male/female press mold + press <20 tonnes + hammer
- shaping notes: rings and support stand, pneumatic sand rammer with different heads and/or other air hammer + air compressor.
- annealing/tempering: oven that can hold up to 400 °C. Electronic temperature regulation system.
- hamering: hammers and mallets set (eg jimmyshouseofhammers) or our tuning hammers. Be carefull with low cost hammer, most of the time it's not cast steel or not hard enough... you may quickly have surface scratch on the hammer. You will need to polish the head to correct the (too) quickly made shape. About weight, 70% of the time I work with 750g, 25% with 1kg and maybe 5% with 500g but that's really personal preference and note size dependant. Quite flat and round shape may be usefull too. We need bigger distance than usual between head and handle because we are working in concave shells, it's not easy to find that !
- tuning: audio analysis tool (eg linotune, overtone analyser, peterson mechanical strobe tuners). Tuning rings + stand to be able to work on each side of the shells (see next point)
- gluing: sand paper, isopropyl alcohol or good degreaser, high thrust caulk gun (polymer glue is thick and you need to put the good quantity in a regular way), rotating plate, mastic cutter
6) handpan tuning stand
You will find all information to be able to build your own low cost tuning stand here. You just need to find a laser cut company and to be able to drill holes and optionally screw thread. For the support, you can use an old desktop or make your own with second hand material. Click on the two pictures below to download the .pdf and .dwg files
8) fablab pricelist
|Shellopan FABLAB - prices list 2016-10||fablab price with VAT||
price without VAT only for export or intra-europa**
|shellopan handpan shell (DC04 1mm - deep drawn - "raw")||48,00 €||40,00 €|
|nitriding services ( /shell )||36,00 €||30,00 €|
|Shellopan team assistance (bottom shell, dimples, personal assistance /h)*||48,00 €|
|edge rubber (/handpan 1,75m)||6,00 €||5,00 €|
|polymer glue (290ml)||24,00 €||20,00 €|
|polymer glue (/handpan)*||6,00 €|
|workshop & tools & tuning station (/half day)*||48,00 €|
|Annealing / Tempering (kiln / handpan)*||24,00 €|
|Shaping air hammer + 20mm diameter head connector & M10 connector||360,00 €||300,00 €|
|Tuning hammer 750g + GEL (usable with >88mm bottom shell port)||
|padded transport bag||30,00 €||
|packaging & transport in europa (<30kg or 11 shells max /box)||90,00 €||75,00 €|
* only available for the fablab visitors
** export = sell outside Europa. Custom fees may apply and we are only able to make genuine and accurate invoices. Intra-europa = you need a valid european VAT number to be able to buy without VAT.
9) services for experienced makers
For fablab users, it is possible to use steel selected by the Shellopan cooperative. For manufacturers who want large quantities of shells, we offer the possiblity to make a dedicated production. This approach has the benefit of allowing everyone to have the steel of their choice and thus to have their own sound characteristics. This will encourage a greater variety of instruments made with Shellopan shells. It’s also possible for makers to draw their own form (without changing the diameter) - a specific quotation will then be realized.
The customer must provide steel discs cut by laser (712mm diameter, 1mm thickness or 1.25 mm) and a certificate indicating the physical characteristics of the steel concerned (certificate supplied by the steel manufacturer with every purchase of material). Up to ten disc will be used to make adjustments to the tool prior to production. Delivery of the flat discs and pickup of the shells by the transport company will be under the responsibility of the customer. Production time is usually around 6 weeks.
This service is accessible only after prior agreement with the Shellopan cooperative and depending on the availability of the tooling. The Shellopan cooperative does not assume any responsibility for potential corrosion that may occur at any stage, especially during transport and storage. Stamping, cutting work and any other manipulations systematically degrade the quality of the surface, scratches and fingerprints or glove traces may occur. The service of cleaning or brushing shells is not provided by the Shellopan cooperative.
10) Questions & Answers
Excel calc tool : are the note size dependent of the steel thickness ? Yes, thicker steel need bigger note size. Just adjust "C4" to change your starting point. Some technic to make shells create unregular thickness distribution, we are making deep drawn shells with hydraulic press to avoid this effect as much as possible.
Excel calc tool : why do you use note number instead of a clearer "note name" notation in your note size calc tool ? Because I don't know your steel thickness, but not only. Tuner skills are changing in time, most of the time with increasing experiences you will be able to tune the same note with smaller area. The border condition that you're creating during the shaping and the note dimple/ratio have big impact on this note size too. You will find your confort zone only after many try and error. I consider that the first size #0 is the biggest note that is possible to make on a shellopan shell (A2) but of course, even me may find that it's possible to make something lower. Step between 2 note number is 1/2 tone, so you will have 3 full octave in my calc tool.
Excel calc tool : what can I do with the F2 cell ? You can control the progression of the ratio between notes and dimples. For smaller notes, if you have a too big dimple, it may be hard to tune the note because you will not have enough space between the dimple and the note border. The color code in colum "K" give you a visual information on this space.
Excel calc tool : can you give me a warranty that I will be able to make a good handpan without changing the value in your calc tool ? No, I think that you need to adjust all these value. I choose the F2 parameter to gradualy change the note dimple ratio from 4 to 5.. this is only to illustrate how it works. The parameter you will choose will give the personal touch of your creation.
Dimples only or dimples & note border : is it possible to make dimples only with laser cut steel of the dimensions written in the excel file ? No, if you cut your molds with the external size, it will be hard to make the dimple only and you will mark the steel on the note border during the process. Some people like it and some people find that it's not good to create the note membrane or for tuning. Again, this is an important personal choice and if you want to make the dimple only, just cut the steel 1cm around the dimple hole.
Choosing a shop press : do you have any advises if I want to use a press to make the dimples ? You don't need a huge press, few tons are enough to make dimple and 20 tons is enough to press a really marked (too much ?) note border